Cultrface – a blog dedicated to culture and how it enriches our lives.

Artsy explored the objects that defined 80s youth culture

I was born in November 1989 so I missed all but a month of the 80s and everything about its culture so this was cool to read from Artsy:

At the moment, our pop culture finds itself at peak ’80s nostalgia, as news outlets rush to publish their own guides to the decade’s easter eggs hidden in the third season of Stranger Things (2016–present). Those who came of age in the 1980s are now in their mid-forties, so perhaps it just makes sense that the kids who grew up are now showrunners, casting viewers in the nostalgic glow of their own youth.

One could also argue that ’80s nostalgia is on the rise due to some meritocracy of the decades—the eighties were just a cooler, quirkier, and kitschier time to be alive. My own recollections of the time are a murky haze of fleeting passions, both joyous and totally embarrassing. There are, for instance, the Garbage Pail Kids cards, which hit young male culture hard in 1985—pimply teens sneakily trading Boozin’ Bruce for Adam Bomb or Smelly Sally. I’ll never fully wash off the trauma of the humanoid animals residing in Zoobilee Zoo (1986–87). I’ll never live down listening to the Christian hair-metal albums by Stryper that my mom gently forced on me as an antidote to the more “satanic” alternatives. I’ll never forget the uncomfortable prominence of David Bowie’s codpiece in Labyrinth (1986).

More on the 80’s: Catch some retro 80s and 90s vibes with Retrogeist, Fumi Ishino’s ‘Index of Fillers’ chronicling Japanese culture in the 80s and 90s, and what if Game of Thrones was aired in the 80s?

Black Archives: a multimedia showcase of the Black experience

Archiving is so important in an information era that favours the new and quickly discards the old when it’s deemed surplus to requirements (read: it’s not making profit). This is especially true for Black cultures and Black Archives works to change that.

[…] Through an evolving visual exploration, Black Archives provides a dynamic accessibility to a Black past, present, and future.

Going beyond the norm, its lens examines the nuance of Black life: alive and ever-vibrant to both the everyday and iconic — providing insight and inspiration to those seeking to understand the legacies that preceded their own.

Besides archiving, Black Archives also offers:

  • Content creation and visual curation
  • Archival research and licensing
  • Social strategy and creative direction

For more, check out the Black Archives website.

When Matt Damon met Prince: a lesson in small talk

This is classic Prince and I love it.

Julia Stiles: After The Bourne Ultimatum came out, there was a premiere in London. Prince actually came to it, then got tickets for the cast to come see him [perform]. We were summoned into a room to meet him [after the show]. Matt said, “So you live in Minnesota? I hear you live in Minnesota.”

Damon: Prince said, “I live inside my own heart, Matt Damon.”

I’d like to take a moment to praise the title of the piece I quoted:

Prince Had No Time for Matt Damon’s Pedestrian Small Talk

And that, my friends, is why I don’t do small talk.

(via bnq.tumblr.com via Vanity Fair)

The celebratory art of Aurélia Durand

Aurélia Durand is a French illustrator with a penchant for vibrant designs depicting Black people in joyful, proud, and empowered poses.

Her client list is a who’s who of major brands, including:

With so much bleakness in the world at the moment and heightened Black trauma, vivid celebratory images like Aurélia’s are a welcome relief and a reminder that Blackness is multifaceted and joyous.

'The Page 69 Test' tests a Marshall McLuhan addage on choosing books

According to Marshall McLuhan, if you turn to page 69 of any book, read it and like the page, you should buy the book. The Page 69 Test has been testing that theory for the past 14 years with thousands of books analysed. I might have to try this out the next time I’m in a bookshop (sometime in 2022 no doubt).

See also: The Page 99 Test, following a similar Ford Madox Ford saying—”open the book to page ninety-nine and read, and the quality of the whole will be revealed to you.”

How did Frasier afford his Seattle apartment on a radio show host's wage?

During my Frasier journey, I found myself asking certain questions time and time again. Will Frasier ever stop getting hoisted by his own petard? How did the dog who plays Eddie become such a good actor? Why is this fake National cover of the Frasier theme song better than every other National song? God, Niles is so horny. (More of a comment than a question.) And, most importantly: How the hell did Frasier afford his apartment?

Update: Apparently, a Frasier writer revealed why: they decided he’d “invested the money from his Boston practice very wisely (perhaps in a friend’s Seattle software start-up)”. Thanks to @scottgal for the info and the article he referenced!

(via GQ)

Vintage pulp comics as lesbian love stories

Jenifer has always been intrigued by portraying lesbian stories in this style, especially when she discovered the effects of storytelling in comic books. The form goes beyond simply having fun, and resonates with her in a more decisively profound way. “I always wished to see lesbian stories and art when I was growing up, and the lack of that was what ultimately motivated me to illustrate my own,” she explains. “So, I always recall that old desire as a source of inspiration.”

Black LGBTQ+ art related: Brasilândia: a platform for Black and LGBTQIA+ communities in São Paulo and Nana Duncan on Black British LGBTQ+ communities deserving better on-screen portrayals

(via It’s Nice That)

ICYMI: The Louvre put its entire collection online

Over 482,000 works are now available for people to view as the pandemic continues to change how we engage with the arts.

The database for the Louvre’s collections consists of entries for more than 480,000 works of art that are part of the national collections and registered in the inventories of the museum’s eight curatorial departments (Near Eastern Antiquities; Egyptian Antiquities; Greek, Etruscan and Roman Antiquities; Islamic Art; Paintings; Medieval, Renaissance and Modern Sculpture; Prints and Drawings; Medieval, Renaissance and Modern Decorative Arts), those of the History of the Louvre department, or the inventories of the Musée National Eugène-Delacroix, administratively attached to the Louvre since 2004.

The Collections database also includes so-called ‘MNR’ works (Musées Nationaux Récupération, or National Museums Recovery), recovered after WWII, retrieved by the Office des Biens et Intérêts Privés and pending return to the legitimate owners. A list of all MNR works conserved at the Musée du Louvre is available in a dedicated album and may also be consulted in the French Ministry of Culture’s Rose Valland database.

Related to free accessibility of art: New York’s Met Museum publishing over 375,000 images for free use and 4,000 free films from the National Film Board of Canada

Happy birthday, Octavia Butler! Here's an exclusive excerpt from her forthcoming biography

While Butler’s award-winning novel Kindred is assigned in high schools across the country, and her Parable series is more relevant now than ever before, readers of all ages should know that Octavia Estelle Butler was once a little Black girl growing up during both the civil rights movement and the space race. Only in her many novels, short stories, and essays do these two worlds collide. Her stories merge history, anthropology, sociology, biology, and technology. The biographical speculative poems in Star Child attempt to do the same. The many literary devices in poetry can be used to delve into the twists and turns of history, sink into the many layers of science, and gain greater entry into the depths of a remarkable person’s inner life. These poems aim to capture the small moments in Octavia Estelle Butler’s life and the broad ideas and events that shaped her thinking and her groundbreaking stories in the hope of inspiring a shy, inquisitive, highly imaginative child somewhere out there in the wide, wide universe.

Coincidentally, my music production name is Starchildluke but not because of Octavia Butler. At least, not directly.

(via Yahoo! News)

Every day is Kids Day!

Yesterday was Father’s Day. Upon reminding my son (he made me a lovely card on the Friday), he asked “why isn’t there a kids day?” to which I replied, “every day is Kids Day!” I’ll let you debate the validity of that statement but it rings true for me.

Then today, one of my Twitter mutuals told me that there was a Kids Day (Dia das Criancas) in Brazil on 12th October. This reminded me of Japan’s Children’s Day (こどもの日, Kodomo no Hi) from an old Pokémon episode. So, how many Kids Days are there? According to Wikipedia, there are ~51 Children’s Days observed by countries around the world. While that’s not every day, that’s still nearly 14% of the Gregorian calendar. Most of us only get one birthday!

The official International Children’s Day is on 20th November so kids could get at least two Kids Days a year. In Chile, Children’s Day is officially recognized as the first Wednesday of October but it is actually observed on the second Sunday of August where children are bought toys. Different countries have different traditions, ranging from remembrance (Paraguay) to honour and relaxation (New Zealand’s Children’s Day pays tribute to children as a taonga, the Māori word for treasure)

And that’s why every day is Kids Day for me because children should be honoured and loved every single day. The world can be a horrible place and it can be challenging to nurture children in that kind of environment and explain why bad things happen. It’s important to show love, patience, gratitude, and compassion so they can know what those feelings are and keep them in their hearts. Amongst all the hugs and presents!

The masks we've worn

Francesca Magnani wrote about her ongoing photo project, documenting people wearing masks and the reasons behind them (besides the pandemic of course):

With a background in classics and anthropology I have long been interested in issues of identity and self-representation and in how people live and manage everyday challenges. As a street photographer I have followed with curiosity how people cope with the pandemic, dealing with the unknown. I was here on September 11 and during Sandy’s aftermath, and last March I saw in people’s expressions and movement their anguish, their incredulity, and confusion that matched my own. I walked around different New York neighborhoods every day and noticed the progression in more and more people starting to wear their feelings on pieces of decorated cloth.

[…] This small object has become a symbol of this time. Some images from the series have recently been acquired by the Smithsonian Museum as part of the first set of multiple pandemic-related digital acquisitions. Two COVID-19 related photographs are part of New York Responds: The First Six Months at the Museum of the City of New York, and one (May 10) mask was part of the #ICPconcerned group show.

Research shows that 5 working hours a day can boost productivity and wellbeing

But apparently, there’s a catch:

Rheingans CEO Lasse Rheingans says when he first floated the idea of compressed working with staff they came up with the idea of banning distractions like smartphones from their desks and minimising the use of “productivity killers like Slack”. The aim for Rheingans was to keep productivity constant but to give people more time off.

Although more productive and better for work-life balance, Rheingans says that, like Corcoran, he discovered after a year that shorter days are not without their downsides. “We realised that we were losing something on the relationship level,” he says. “It affects loyalty and team culture and the relationships people have in a company, when you don’t have time for chatter and small talk and coffee together.”

“Loyalty”. “Team culture“. Yawn. Many people come to work to do work and go home. Stop trying to make work = family happen. Ugh.

(via Wired)

Nina Banks on Sadie Tanner Mossell Alexander and her ideas on economic justice

For The Washington Post, Nina Banks (associate professor of economics at Bucknell University) paid tribute to Sadie Tanner Mossell Alexander, the first African American to gain a doctoral degree in economics. She suggested that Alexander’s ideology could be the key to solving various problems in the US, particularly for African-Americans:

As a proponent of economic justice, Alexander believed that all people had a right to jobs that paid livable wages, and she viewed this as an essential foundation for enjoying democratic rights. As such, she called on the government to provide an equitable distribution of national income and to create public works programs that addressed urgent social needs tied to poverty and deprivation.

In the 1960s, Black anger over mistreatment in urban slums, where decades of White racial hostility and public policy had confined them, and a lack of economic access erupted in a string of uprisings in cities of all shapes and sizes.

Alexander saw the moral dimension of the civil rights cause, but uniquely, she also understood the economic dynamic, thanks to her training. She knew that despite White claims to the contrary, economic uncertainty among Whites was not the cause of racial violence plaguing Black lives. Rather, it merely acted as an accelerant that intensified their scapegoating and racial animus toward Black Americans.

Yet, Alexander’s work and advice got largely ignored.

Black titles from The Criterion Collection's upcoming line-up

I didn’t know if this was a conscious effort or a happy coincidence but there were more Black films (or films with Black people in major roles) than I expected in The Criterion Collection’s upcoming line-up. They include:

If you can find other means of watching or buying them, do that.

The theme of today's Nancy Comic is failed communication

Today’s Nancy Comic reminds me of how we communicate with people, especially during this god-awful pandemic. Should we burden our friends and family with the truth about how things are going or how we really feel? Or will “I’m fine”, “It’s good”, and “Okay” be enough? Maybe one conversation or even one long-winded response wouldn’t be sufficient. Either way, a failure in communication can lead to a misunderstanding of one’s place in a relationship or situation, as this comic demonstrates. Good intentions don’t always lead to good impacts.