Brazilian photographer Ricardo Junqueira relocated to Lisbon in 2012 and got his start shooting for Airbnb. ‘As tourism bloomed, I had the chance to capture more residential spaces – I photographed around 2000 Lisbon houses’, says Junqueira. ‘The variety I find at people’s homes is so spectacular and impressive – like a [built] “biodiversity manifesto”, so the entryways are like a chapter in this romance.’
What do you look for in a building or a shot?
I’m interested in diversity, and I am fascinated by the richness of ordinary things. I was born in Brasília, surrounded by great modern architecture, which has influenced how I appreciate architecture. Photographers and architects have something in common – the need to organise things in a limited space. I look at shapes and arrange them in a harmonious way inside the rectangle.
Ayla Angelos wrote about Brasilândia, a new multidisciplinary platform that showcases the work and communities of Black and LGBTQIA+ people.
Founded by Kelton Campos Fausto and Iama Martinho, Brasilândia was launched to provide content for the people in their neighbourhood. Kelton, a multidisciplinary artist, produces works in the video, painting and performance sphere. “They’re currently interested in the plastic construction of spiritual and cosmological scenes that propose living spaces and possibilities of health,” says Iama, “based on other ways of apprehending reality and the body.” Iama, on the other hand, is a stylist, creative, thinker and fashion producer whom within the Brasilandia space contributes to the production, styling and creation of content in all formats. She graduated in technical garment design and has since been centring her work on the production of fashion in conjunction with the “re-signification” of textile waste, as well as combining her experience as a trans woman living in a country where “transgender people are treated as garbage”.
I really like the tagline: “uma plataforma não uma objetificação” (a platform, not an objectification)
In 2006, São Paulo’s mayor Gilberto Kassab proposed a law known as Lei Cidade Limpa (clean city law in Portuguese) which prohibited any form of billboard advertising or outdoor posters. 15,000 billboards were taken down and despite backlash from advertisers, citizens praised the move.
For New York’s WNYC, local São Paulo reporter Vinícius Queiroz Galvão described his experiences:
São Paulo is a very vertical city. That makes it very frenetic. You could not even realize the architecture of the old buildings, because all the buildings, all the houses were just covered with billboards and logos and propaganda. And there was no criteria. And now it is amazing. They uncovered a lot of problems the city had that we never realized. For example, there are some favelas, which are the shantytowns. I wrote a big story in my newspaper today that in a lot of parts of the city we never realized there was a big shantytown. People were shocked because they never saw that before, just because there were a lot of billboards covering the area. São Paulo is just like New York. It is a very multicultural, globalized city. We have the Japanese neighborhood, we have the Korean neighborhood, we have the Italian neighborhood and in the Korean neighborhood, they have a lot of small manufacturers, these Korean businessmen. They hire illegal labor from Bolivian immigrants. And there was a lot of billboards in front of these manufacturers’ shops. And when they uncovered, we could see through the window a lot of Bolivian people like sleeping and working at the same place. They earn money, just enough for food. So it is a big social problem that was uncovered, and the city was shocked by these news.