The idea of brutalism is normally reserved for architecture as Wikipedia defines:
Brutalist architecture is a movement in architecture that flourished from the 1950s to the mid-1970s, descending from the modernist architectural movement of the early 20th century. The term originates from the French word for “raw” in the term used by Le Corbusier to describe his choice of material béton brut (raw concrete). British architectural critic Reyner Banham adapted the term into “brutalism” (originally “New Brutalism”) to identify the emerging style.
UPDATE: *sigh* once again, another site has been taken down or otherwise defunct. Not sure why but the site is covered with a Brutalist Websites Are Dead logo. If you’re good with Dev Tools, you can get rid of it and still navigate the site but it’s a shame. Then again, a lot of the websites on there were questionable from a brutalist design perspective.
UPDATE 2: The watermark is gone but the webmaster told me the site isn’t active and remains as an archive.
The web series will be called X-Men: Danger Room Protocols and see teams of X-Men characters up against Marvel villains in the Professor X’s notorious Danger Room.
Each episode will be based around a single Danger Room battle and the first one will be called “Survival,” starring Jean Grey and Wolverine (we get the feeling Cyclops won’t like that one). X-Men: Danger Room Protocols will debut on 19th January with subsequent episodes freely available on his YouTube channel.
UPDATE: It turns out X-Men: Danger Room Protocols was cancelled after one episode. Why? Because Marvel said so. According to Joel himself (via CBR):
“When I set out to make this project, I never really thought this was going to be an issue. I didn’t think that Marvel was going to react this way, and this outcome, for me, is a little bit shocking.”
With over 200 million copies of their merchandise sold and over $35bn earned, the Pokémon franchise is only behind the Mario as the highest-grossing video-game based franchise.
But one of the best aspects of the series is the market of fan-made projects. One such project comes from LA-based illustrator Liz Rodriguez, entitled “PokéDad”. The webcomic tells the story of a dad in search of his son who has already completed his journey.
Players of Pokémon Red/Blue for the Gameboy will recognise the characters and tropes but the titular dad knows nothing of the Pokémon world and his logical viewpoint leaves him confused and frustrated throughout, much to the reader’s enjoyment. It’s a fantastic take on a well-known storyline and one you should check out. The comic updates every Friday.
But why does LJ have such a strong Russian following? Well, the company was sold to Russian media group SUP Media in 2007 and around half of LiveJournal’s audience are from or around Russia. In fact, Game of Thrones writer George R.R. Martin had a blog there until recently. It seemed the potential for the platform was squandered as Steven T. Wright surmised for Ars Technica:
But, as many of its former employees attest, LJ ultimately had the opportunity to become one of these “second-generation” social behemoths. Instead, a stubborn userbase and questionable business decisions harried those ambitions.
Mangle’s random image generation captures the essence of Russian life. From memes to old Soviet architecture to NSFW photos, it offers a look into a private country with a rich history. And like we said, there may be some NSFW images so discretion is advised.
This one piqued my interest. It relates to the multicultural facets of controversial rapper Tyler, The Creator. The thesis, written by Brazilian producer and musicologist Gustavo Souza Marques, discusses the ways Tyler, the Creator “shifts, but also maintains, some frames of gangsta rap discourse in his use of ‘hip hop mentality, skate culture, nihilism and Web 2.0 platforms to promote his art has made him one of the most prominent hip-hop artists from 21st century'”. That’s a lot. But also very insightful.
Check out the abstract below.
This article came from the homonymous PhD proposal submitted and accepted by Music School of University College Cork (UCC, Ireland) to be started in September 2015 under the guidance of Dr. J.Griffith Rollefson. It aims to point out and discuss the articulations made by rapper, producer, actor and video director Tyler Okonma, known by the stage name Tyler, the Creator, to shift, but also maintain, some frames of gangsta rap discourse. Noticed by his rape fantasies lyrics and ultraviolent shouts, most present in his two first albums, Tyler has been acclaimed for his notable musical talent but criticized for its misogynist themes. Despite this outrageous aspect of its music, his confessional and often self-deprecating lyrics have been a novelty for constant self-pride and powerful hip-hop lyrics. Moreover, it works as a compensation for his aggressiveness since it could be seen as a demonstration of fragility rather than sexual domination. The way he uses hip-hop mentality, skate culture nihilism and Web 2.0 platforms to promote his art has made him one of the most prominent hip-hop artists from the 21st century. Based on related authors on hip-hop topics like gangsta, misogyny, media and racial stereotypes this article discusses the ways in which Tyler, the creator reflects but also denies the most known and commented frames of rap music.