The United Kingdom is a sovereign country consisting of 4 countries, a federal district, 14 British Overseas Territories, and 93,628 square miles of land. It’s tiny but thanks to pillaging and colonialism through the old British Empire, the UK has a major influence on the world. Read more about it on this tag page.
“Community is the act of coming together, but for me, it’s the coming together to achieve something,” says Fahima Jilani, the owner of Mosa Mosa, a Bengali food platform based in the West Midlands. Fahima began Mosa Mosa back in 2017, born out of a love for food passed down through her family. Initially, she was working at markets and catering small events like birthdays, and then the British Red Cross approached her to ask if she would be interested in providing meals for teenage asylum seekers, who were attending guidance sessions.
“These asylum seekers come predominantly from East African countries like Sudan, Eritrea, and I think they do genuinely appreciate spicy food, and I bring them South Asian food that is also spicy. Although it’s not the same culture as theirs, I think it’s comforting,” says Fahima.
Nik Sennhauser and I share a common sentiment. We both miss air travel. To combat his FOMO and general quarantine boredom, Nik decided to start making his own airline flight meals. This from a Thrillist article:
“Having been grounded for nearly a year in January 2021, I was so bored during the weekends with absolutely nothing to do due to restrictions. Like in many other countries, we were confined to our homes,” the Scotland native told Thrillist. “This, combined with the Scottish winter weather, it was just plain miserable.”
He said that one Sunday in January, he made himself a to-go breakfast of hash browns, omelettes, and sausages, and caught himself thinking about what a great in-flight meal it would make.
“Being an avid airline dinnerware collector—I have an airline trolley stocked with plates, glasses, and trays—I plated up the breakfast like an airline meal, actually making use of my collection,” Sennhauser said.
He continued plating regular meals on his airline dinnerware “just for fun,” but soon had the idea to start actually recreating the dishes he had experienced on his travels.
Now that I’m double vaccinated (and I hope Nik is or will be soon), I’m hoping to experience this soon albeit a short-haul version when I plan to go to Lisbon and Nice at the end of the year.
As a way to feed my nostalgia habit (and an act of self-care because the world is always on fire in some way), I watch old adverts from the 90s. It reminds me of my childhood and I can revisit adverts or products I’ve not heard of for decades. They also act as mini time capsules for brands and products that are no longer with us.
The above videos show some of those defunct brands and products from the UK, ranging from one2one (originally Mercury One2One, then becoming one2one, then rebranding as T-Mobile UK, then merging with Orange as Everything Everywhere, and finally becoming EE. Phew!) to Dollond & Aitchison (the opticians), the Goldfish credit card (later bought by Barclaycard), and Tandy.
Peter Sellers was a classic character actor but this took it a step further. In 1965, on an episode of a Beatles-tribute variety show called The Music of Lennon and McCartney, Sellers did a rendition of ‘A Hard Day’s Night’ in the style of Laurence Olivier’s Richard III.
The UK film industry rarely commissions Black stories because they do not believe that our stories have an audience, and I find that astonishing. Black people are the drivers of culture, and we deserve to be represented. The only stories they seem to commission are the ones about gang violence to further perpetuate the falsehood that is Black on Black crime.
It is crucial that we explore alternative narratives to represent the multitude of nuanced Black experiences in our society. Being a womxn is one thing, being Black and British is another. My queerness adds another dimension to my identity. I am not Black before I am queer, I am not queer before I am Black, I am a queer Black British womxn.
Videos of carefree roller skaters began to dominate social media feeds over the last year. In the first lockdown, after dismissing it as something I was too old for, I caved to the social pressure and downloaded TikTok. Soon my feed was filled with bite-sized videos of skaters who looked like me effortlessly flowing, swaying and sashaying with little regard for the downward pull of gravity. Their joy was infectious – roller skating looked like fun I didn’t know I was allowed to have as an adult.
Speaking at the opening of the exhibition earlier this month, Itoje, who was educated at the private boarding school Harrow, says one of the constants in his schooling was “the lack of Black and African history that I was taught”. Moreover, when African history was on the syllabus, it was “a single story or narrative that was told”. He adds: “That story was often depressing, and quite often a saviour/survivor narrative. I want to try and show a fuller picture.”
Included here among various alternatives for Tower Bridge, the Washington Monument, The Chrysler building and St. Paul’s Cathedral are proposed extensions to the White House, a 5 million tomb alternative to London’s famous Victorian cemeteries and a particularly uninspiring second place entry for the Sydney Opera House competition. My personal favorite, however is the Triumphal Elephant which could have capped off the Champs Elysees in Paris. If someone could only find the rejected competition entry for what became the Eiffel Tower, which consisted of a giant replica of a Guillotine.
Some I wish existed, some I’m glad didn’t become reality, and some I would like to see and then never see again.
Like Pharaoh Khufu, I have built a great tomb. But, tonight, I’m not gonna bury you in it with me. Except with the admittedly generous mounds of peanuts that you’ll see I’ve provided. No, tonight I just want to say that this book is a disaster! It’s a travesty! It’s proof of a broken promise.
I always wondered how they made the old glass shield thing on BBC News and, while browsing YouTube, I found this virtual studio tour from 1997. As someone in the comments said, this virtual set looks more futuristic than the red one BBC uses now.
I don’t believe in guilty pleasures but Catfish was a rare exception. Even though I know it’s predominately fake and mostly for clout-chasing, it was still wild, messy, dramatic and fun. Now we’re getting a UK version, co-hosted by Julie Adenuga, and she spoke to gal-dem’s Adwoa Darko about the show and romance.
The presenter wants viewers to watch the show through an empathetic lens. “Anyone I said ‘I’m hosting catfish, UK’ to, their first reaction was ‘oh my gosh, it’s gonna be so funny’. That’s their first reaction. And I look at them,” she says before pausing. “These are real emotions.” She also understands how the road to dating someone is often paved with half-truths as she’s had a few people lie to her about knowing her two brothers without knowing she’s related to them (“now you look like the biggest clown of all time”).
We all learnt the rules of the game from Nev: reverse Google image search people if you’re unsure, video call them, ignore people with only one picture because it’s 2021 and everyone has a camera phone. However, through working on the show Julie reveals she’s learnt a new one: “Tagged photos really became our friends. We’ve had profiles sometimes when we see they’ve got 2,000 followers and only one person has tagged you. What’s going on there?”
Bad times for Adwoa, though, who opened the interview with an admission: she had been catfished.
gal-dem: Lets start with the fact that I was catfished
Julie Adenuga: When did this happen?
I met this guy from Ghana right. I was thinking ‘rah we’re gonna do up Kente get ready’. He said he’s single and later he drops that he has kids and an ex-wife that has gone off and married somebody else, and the kids are in Ghana. We go on the date and this man is doing the most, he’s like toasting to us and I’m thinking ‘rah is this me yeah?’
The Islamic Tartan Concept weaves together the different strands of Scottish and Muslim heritage creating the fabric of the future.
The theological explanation of the design is as follows:
– Blue to represent the Scottish Flag – Green to represent the colour of Islam – Five white lines running through the pattern to represent the five pillars of Islam – Six gold lines to represent the six articles of faith – Black square to represent the Holy Kabah
Roy Mehta is a London-based photographer and in his latest publication, Revival: London 1989-1993, he reconnected with his roots in Brent, north-west London. The book is a collection of Roy’s photos taken in a 4-year period from the tail-end of the 80s to the early 90s.
During this time, in 1989, Roy was living in Farnham, but he knew the area of Brent like the back of his hand – he just hadn’t been there for a while. So he packed up his camera and started to wander the roads of his old hometown, taking pictures along the way and observing the streets that he once used to roam as a child. “I gradually got to know the people and began to be accepted into churches, pubs, homes, dancehalls and other places in the community,” Roy tells It’s Nice That. “This was a long time before digital photography and social media, so photography was a different kind of practice; people related to the camera in a different way.”
Last year, I said I wanted to showcase more Black content, particularly creative endeavours and projects that deserve all the spotlights and this is the perfect example of that.
Khula is a jewellery brand by Sophia Tassew, a plus-size content creator from South East London. You may recognise her name from an earlier blog post I wrote about A Quick Ting On—she’ll be releasing a book about her experiences in 2022. In an interview with Bricks Magazine, she called Khula “a sort of homage to my parents who come from Ethiopia and South Africa.”
I’ve always wanted to have my own earring collection or design something. I always thought it would come in the form of a brand collaboration but it didn’t and still hasn’t so I decided to start it myself and learn how to make earrings. Also, as a plus sized girl, growing up, my fashion and style journey was tedious. You were forced to shop for clothes that were meant for people three times your age or the mens section. The only thing I could always rely on were earrings. They’ve been my savouir (sic) many times as well as a small representation of who I am and where I come from. So much growth has happened between then and now and that’s exactly what Khula means in Zulu, grow.
Sophia runs Khula completely on her own, working very long nights and making her vast collection of earrings by hand, as well as packing and posting the products herself. It’s the epitome of a one-woman team.
Taking inspiration from my heritage and putting that into my brand makes me feel so much closer to my roots in a way that I know how, and a language that I understand which is jewellery. I’m very interested in Black people from different eras and celebrating them and their looks.
Jacaranda Books is set to release A Quick Ting On, their first non-fiction series dedicated to Black British culture. The series has been curated by Magdalene Abraha and features the likes of Chanté Joseph (!!!), Tobi Kyeremateng (!!!), and Sophia Tassew (!!!)
Here are the eight books and their release dates:
A Quick Ting On: Afrobeats by Christian Adofo (7th October 2021)
A Quick Ting On: Plantain by Rui Da Silva (22nd October 2021)
A Quick Ting On: Black British Power Movement by Chanté Joseph (28th October 2021)
A Quick Ting On: The Black Girl Afro by Zainab Kway-Swanzy (4th November 2021)
A Quick Ting On: Black British Businesses by Tskenya-Sarah Frazer (12th November 2021)
A Quick Ting On: Theatre Sh*t by Tobi Kyeremateng (19th November 2021)
A Quick Ting On: Grime by Franklyn Addo (2022)
A Quick Ting On: Bamboo Earrings by Sophia Tassew (2022)
This is exactly what we need and I’m so excited for this series and everyone involved. I’ll update with links as and when they come up.