The UK film industry rarely commissions Black stories because they do not believe that our stories have an audience, and I find that astonishing. Black people are the drivers of culture, and we deserve to be represented. The only stories they seem to commission are the ones about gang violence to further perpetuate the falsehood that is Black on Black crime.
It is crucial that we explore alternative narratives to represent the multitude of nuanced Black experiences in our society. Being a womxn is one thing, being Black and British is another. My queerness adds another dimension to my identity. I am not Black before I am queer, I am not queer before I am Black, I am a queer Black British womxn.
Videos of carefree roller skaters began to dominate social media feeds over the last year. In the first lockdown, after dismissing it as something I was too old for, I caved to the social pressure and downloaded TikTok. Soon my feed was filled with bite-sized videos of skaters who looked like me effortlessly flowing, swaying and sashaying with little regard for the downward pull of gravity. Their joy was infectious – roller skating looked like fun I didn’t know I was allowed to have as an adult.
Speaking at the opening of the exhibition earlier this month, Itoje, who was educated at the private boarding school Harrow, says one of the constants in his schooling was “the lack of Black and African history that I was taught”. Moreover, when African history was on the syllabus, it was “a single story or narrative that was told”. He adds: “That story was often depressing, and quite often a saviour/survivor narrative. I want to try and show a fuller picture.”
These are incredible.
Included here among various alternatives for Tower Bridge, the Washington Monument, The Chrysler building and St. Paul’s Cathedral are proposed extensions to the White House, a 5 million tomb alternative to London’s famous Victorian cemeteries and a particularly uninspiring second place entry for the Sydney Opera House competition. My personal favorite, however is the Triumphal Elephant which could have capped off the Champs Elysees in Paris. If someone could only find the rejected competition entry for what became the Eiffel Tower, which consisted of a giant replica of a Guillotine.
Some I wish existed, some I’m glad didn’t become reality, and some I would like to see and then never see again.
Like Pharaoh Khufu, I have built a great tomb. But, tonight, I’m not gonna bury you in it with me. Except with the admittedly generous mounds of peanuts that you’ll see I’ve provided. No, tonight I just want to say that this book is a disaster! It’s a travesty! It’s proof of a broken promise.
Buy a copy today (unless you’re a pathetic worthless punk).
I always wondered how they made the old glass shield thing on BBC News and, while browsing YouTube, I found this virtual studio tour from 1997. As someone in the comments said, this virtual set looks more futuristic than the red one BBC uses now.
I don’t believe in guilty pleasures but Catfish was a rare exception. Even though I know it’s predominately fake and mostly for clout-chasing, it was still wild, messy, dramatic and fun. Now we’re getting a UK version, co-hosted by Julie Adenuga, and she spoke to gal-dem’s Adwoa Darko about the show and romance.
The presenter wants viewers to watch the show through an empathetic lens. “Anyone I said ‘I’m hosting catfish, UK’ to, their first reaction was ‘oh my gosh, it’s gonna be so funny’. That’s their first reaction. And I look at them,” she says before pausing. “These are real emotions.” She also understands how the road to dating someone is often paved with half-truths as she’s had a few people lie to her about knowing her two brothers without knowing she’s related to them (“now you look like the biggest clown of all time”).
We all learnt the rules of the game from Nev: reverse Google image search people if you’re unsure, video call them, ignore people with only one picture because it’s 2021 and everyone has a camera phone. However, through working on the show Julie reveals she’s learnt a new one: “Tagged photos really became our friends. We’ve had profiles sometimes when we see they’ve got 2,000 followers and only one person has tagged you. What’s going on there?”
Bad times for Adwoa, though, who opened the interview with an admission: she had been catfished.
gal-dem: Lets start with the fact that I was catfished
Julie Adenuga: When did this happen?
I met this guy from Ghana right. I was thinking ‘rah we’re gonna do up Kente get ready’. He said he’s single and later he drops that he has kids and an ex-wife that has gone off and married somebody else, and the kids are in Ghana. We go on the date and this man is doing the most, he’s like toasting to us and I’m thinking ‘rah is this me yeah?’
No one has ever toasted to us. This is live.
Read the rest of the interview to find out what happened and stream the Catfish UK promo below.
The Islamic Tartan Concept weaves together the different strands of Scottish and Muslim heritage creating the fabric of the future.
The theological explanation of the design is as follows:
– Blue to represent the Scottish Flag
– Green to represent the colour of Islam
– Five white lines running through the pattern to represent the five pillars of Islam
– Six gold lines to represent the six articles of faith
– Black square to represent the Holy Kabah
Roy Mehta is a London-based photographer and in his latest publication, Revival: London 1989-1993, he reconnected with his roots in Brent, north-west London. The book is a collection of Roy’s photos taken in a 4-year period from the tail-end of the 80s to the early 90s.
During this time, in 1989, Roy was living in Farnham, but he knew the area of Brent like the back of his hand – he just hadn’t been there for a while. So he packed up his camera and started to wander the roads of his old hometown, taking pictures along the way and observing the streets that he once used to roam as a child. “I gradually got to know the people and began to be accepted into churches, pubs, homes, dancehalls and other places in the community,” Roy tells It’s Nice That. “This was a long time before digital photography and social media, so photography was a different kind of practice; people related to the camera in a different way.”Quote from It’s Nice That
Last year, I said I wanted to showcase more Black content, particularly creative endeavours and projects that deserve all the spotlights and this is the perfect example of that.
Khula is a jewellery brand by Sophia Tassew, a plus-size content creator from South East London. You may recognise her name from an earlier blog post I wrote about A Quick Ting On—she’ll be releasing a book about her experiences in 2022. In an interview with Bricks Magazine, she called Khula “a sort of homage to my parents who come from Ethiopia and South Africa.”
I’ve always wanted to have my own earring collection or design something. I always thought it would come in the form of a brand collaboration but it didn’t and still hasn’t so I decided to start it myself and learn how to make earrings. Also, as a plus sized girl, growing up, my fashion and style journey was tedious. You were forced to shop for clothes that were meant for people three times your age or the mens section. The only thing I could always rely on were earrings. They’ve been my savouir (sic) many times as well as a small representation of who I am and where I come from. So much growth has happened between then and now and that’s exactly what Khula means in Zulu, grow.
Sophia runs Khula completely on her own, working very long nights and making her vast collection of earrings by hand, as well as packing and posting the products herself. It’s the epitome of a one-woman team.
I especially love the late 60s/70s vibe from the designs, which she said inspired her alongside her roots from East Africa and South Africa:
Taking inspiration from my heritage and putting that into my brand makes me feel so much closer to my roots in a way that I know how, and a language that I understand which is jewellery. I’m very interested in Black people from different eras and celebrating them and their looks.
Jacaranda Books is set to release A Quick Ting On, their first non-fiction series dedicated to Black British culture. The series has been curated by Magdalene Abraha and features the likes of Chanté Joseph (!!!), Tobi Kyeremateng (!!!), and Sophia Tassew (!!!)
Here are the eight books and their release dates:
- A Quick Ting On: Afrobeats by Christian Adofo (7th October 2021)
- A Quick Ting On: Plantain by Rui Da Silva (22nd October 2021)
- A Quick Ting On: Black British Power Movement by Chanté Joseph (28th October 2021)
- A Quick Ting On: The Black Girl Afro by Zainab Kway-Swanzy (4th November 2021)
- A Quick Ting On: Black British Businesses by Tskenya-Sarah Frazer (12th November 2021)
- A Quick Ting On: Theatre Sh*t by Tobi Kyeremateng (19th November 2021)
- A Quick Ting On: Grime by Franklyn Addo (2022)
- A Quick Ting On: Bamboo Earrings by Sophia Tassew (2022)
This is exactly what we need and I’m so excited for this series and everyone involved. I’ll update with links as and when they come up.
I loathe warfare or anything related to it but I’m making an exception for this since the photos are so captivating.
The Last Stand is a photo series by Marc Wilson that looks at relics of military conflict and the memories they hold.
The series is made up of 86 images and is documents some of the physical remnants of the Second World War on the coastlines of the British Isles and Northern Europe, focusing on military defence structures that remain and their place in the shifting landscape that surrounds them. Many of these locations are no longer in sight, either subsumed or submerged by the changing sands and waters or by more human intervention. At the same time others have re-emerged from their shrouds.
Marc took these photos over the course of four years and travelled 23,000 miles to get them. Locations include the UK, France, Belgium and Denmark.
COVID-19 has ruined a lot of things and while people are still travelling for their own reasons, holidays shouldn’t be one of them. And so I’m staying home until it’s safe to travel for that reason.
But when I can, I hope to visit these 5 cities at some point.
I visited Lisbon for the first time in 2017 for my birthday and it was a revelation. I’ve never felt so comfortable in a new city in my life. The food was awesome, the architecture was breathtaking, and it cleansed my soul. I returned in 2018 but I’ve not been back since (I went to Nice to spend time with my parents for my 30th birthday).
It’s my mission to go back as soon as it’s safe and legal to fly.
It helps that my parents live there now but before that, I’d visited with my parents on holiday a few times, and my then-partner in 2015. Another Mediterranean city, it’s gorgeous in the summer, lovely food again, and more great architecture as well as a cool modern art museum featuring works by the likes of Yves Klein.
I was born in Bradford but never really spent time in Leeds besides the carnival as a kid. In my adult years, I’ve been a few times and it’s a really nice city. My last visit was last year for a solo Valentine’s vacay and my hotel was kind enough to do this:
Shout out Clayton Hotel. I will be back soon!
Last visit: July 2012. I went to see friends and, prior to Lisbon, it was my favourite city in the world. It still holds a place in my heart and I hope once it’s safe in all aspects of the word, I would like to go back and see my friends.
This is the only city on the list I’ve never visited but it’s on the proverbial bucket list. Besides experiencing the culture, trying the food, and taking lots of photos, I want all the Pokémon things and all the Game Boy things. And some vinyl. I’ll probably need £1000–£2000 spending money and an extra suitcase and I’m not joking.
Setting out her vision, Bridget asks if the confluence of the Black Lives Matter movement and the devastating impact of the pandemic on the theatre industry might be an opportunity to build a more egalitarian theatre sector with greater opportunity for black makers, performers, backstage workers, and audiences – and, as a consequence, for other marginalised groups.
The radio production features thoughts from the likes of Tobi Kyeremateng, Kwame Kwei Armah, Paulette Randall MBE and Roy Alexander Weise MBE, amongst others.
I’ve had the pleasure of meeting Thierry Ngutegure in person so I was thrilled to see he had co-created a podcast:
“Why Didn’t You Tell Me?” is a fun, open and honest look at how three young men who thought the stuff they were taught in school would prepare them to be successful, confident and stable young adults. Little did they know that Pythagoras theorem wouldn’t help them buy houses and Henry VIII wouldn’t get them work experience. The transition into adulthood is abrupt and real world knowledge is the true key – so let’s shift the balance. This platform pokes fun, educates and inspires the next and current generation.
Thierry is joined by co-hosts Felix Prince and Tinashe Nyamande and, in his own words, he wanted to “create a space to inspire and push young black people”, “talk about the stupid shit he’d done, the things we wish we’d known & how we uplift each other today.” That’s what we like to see.