Cultrface – a blog dedicated to culture and how it enriches our lives.

Culture influences emotional responses to music, claims study

According to a 2022 study of some communities in Papua New Guinea and Australian participants, there is little evidence to suggest that there’s a universal emotional response to major or minor music:

The results show that the emotive valence of major and minor is strongly associated with exposure to Western-influenced music and culture, although we cannot exclude the possibility of universality.

Smit, Milne, et al (2022)

Cultural taboos in Germany

A while back, I wrote about pointing at rainbows and why it’s a taboo in many cultures and countries, including Germany. So I looked up some more cultural taboos in Germany and found a few lists (via Stylerail and Cultural Atlas). One of the most common was not getting straight to the point:

Try to get straight to the point at hand. Germans generally do not need much small talk to warm up the conversation. They often appreciate it when others are direct.

Avoid meaningless small talk

Let’s start with conversation. Feel free to get into a debate, talk about politics, or crack a joke at the expense of the Italian national football team. All of these are likely to be well received, and odds are you’ll find yourself engaged in a passionate conversation.

But don’t try and make casual small talk about the weather. Germans find this boring and a waste of time. They’re not much for the subtleties of the American conversation. If it isn’t worth saying, don’t say it. Everyone around you also knows what the weather is like.

And being late is a no-no too, apparently:

Avoid cancelling on a German at the last minute or being late. If you anticipate delays, give your German counterpart a fair warning of your tardiness.

Germans are punctual, and they expect you to be the same even if you’re visiting. Meeting someone for dinner? Plan to beat your reservation time by a good ten minutes because even walking in as it’s called is pushing the limits here.

No matter where you’re headed — be it work, a football match, the pub — keeping someone waiting is seriously frowned upon.

Even traffic is no excuse — leave your hotel or flat earlier than you need to, just in case something comes up. If you arrive early, use the extra few minutes to brush up on the news so that your conversation points are ready to go.

There’s also a lot of stuff on not casually discussing Nazism or comparing anyone/anything in the country to Nazis—all fair in their own relative ways. But was there any quirky cultural taboos or anything unique to Germany? Well, yes. Related to the police:

Tread Lightly When Speaking to the Police

Members of most cultures would advise being polite when interacting with the police, but Germans have specific rules with regard to decorum in the face of the law. Specifically, never, ever use the informal ‘du’ when speaking to the Polizei. Always opt for the formal address, ‘Sie.’ Failure to do so could result in criminal punishment including fines up to €600 as it is actually illegal to address them by ‘du.’ This is technically true for all German civil servants.

And, on a more light-hearted note, this about knives and potatoes (although a German on Reddit has refuted this claim):

Do not use a knife to cut potatoes or dumplings (suggests food is not tender). The general rule is whatever does not need a knife, should not be touched with your knife.

source

Respect the culture or pay with your… Euros. Is there a German word for that?

kek lapis Sarawak

A multicoloured cake called a kek lapis Sarawak on a floral plate on a dark wood table
kls1-3.jpg” by gendot united (shared via CC BY-NC-ND 2.0 licence)

kek lapis Sarawak is a Malaysian cake, known for its intricate geometric design inside. The 3-tiered name derives from the following:

  • Lapis means layers in Malay.
  • Sarawak is a state located on the northwestern coast of Borneo, where this cake comes from.
  • kek means cake.

kek lapis Sarawak is usually served during special occasions like Eid, Christmas, or birthdays with its origins coming Indonesia and the European spit cake, brought over by the Dutch.

Ingredients

To make this, you’ll need:

  • Butter
  • Margarine/vegetable oil
  • Milk
  • Eggs
  • A flair for colour and the spectactular

You can find recipes on Food52, the GBBO website, and Punchfork.

The Yūbari King is the most expensive cantaloupe in the world

I’ve written about expensive McDonald’s pickles, expensive pickle jars, and expensive cheese. Now it’s time to show you the world’s most expensive cantaloupe: the Yūbari King.

The Yūbari King is a hybrid cantaloupe cultivar, combining Earl’s Favorite with Burpee’s “Spicy” Cantaloupe. It takes 3–4 months to fully grow and they’re then pampered with wipe downs by the melon growers and paper sun hats to stop the skin from scalding and spoiling the fruit. But why are they so expensive?

Arguably the reason for the Yūbari’s exorbitant cost is its careful selection process. Melon inspectors (melon farmers themselves) tap and flick the fruit to listen for a low, deep sound, smell it for a sweet fragrance, and inspect the rind before rewarding the best melons with the Yūbari label. The perfect Yūbari King should have beautifully netted skin, like the lacing on an embroidered doily.

via Atlas Obscura

And just how expensive can these cantaloupes get? The highest recorded price for two Yubari King melons is ¥5 million ($45,500 in 2019), with the winning bid coming from Pokka Sapporo Food & Beverage Ltd. Auctions take place in Hokkaido every season and I wouldn’t be surprised if that price got beaten in the future.

Now I’m wondering what a Yūbari King melon tastes like (even though I don’t like melons). Move over, enefftees and pickles—melons are the new digital currency!

External thoughts on Jordan Neely's murder

I’m so tired of these events and encounters. Jordan Neely, a homeless Black man, was killed by an unnamed US marine veteran (reportedly) on 1st May via chokehold in a New York city subway car. If you want to find out more about the murder, you can search for it; I won’t be posting any explicit content or videos regarding the events. The intentions of this post is to highlight articles discussing the deeper impacts and implications of his Jordan Neely’s murder and I implore you to read them and take their words on board. And not in a “2020 black square/I see you, I stand with you/I own 2 copies of White Fragility” way.

Roxane Gay — Making People Uncomfortable Can Now Get You Killed

Each of these innocent people who lost their lives was in the wrong place at the wrong time. In most cases, armed assailants deputized themselves to stand their ground or enforce justice for a petty crime. Some claimed self-defense, said they were afraid, though some of their victims were unarmed women and children. We have to ask the uncomfortable questions: Why are men so afraid? Why are they so fragile that they shoot or harm first and ask questions later? Why do they believe death or injury is an appropriate response to human fallibility? Public life shared with terrified and/or entitled and/or angry and/or disaffected men is untenable.

Lara Witt — Jordan Neely was lynched

Make no mistake; a white man lynched Neely because of his Blackness. White supremacy allows white people to function as extensions of settler-colonial state power. Neely was Black, so that was enough reason to lynch him rather than help him. It was enough for some bystanders to watch without intervention. It was enough for others to hold down his limbs as someone choked the life out of him—the same way white people and their allies have done to thousands of Black people across the country, not with a chokehold and in a subway, but with nooses and trees. 

Adam B. Coleman — No One Cared About Jordan Neely’s Life. They Just Want to Use His Death

Jordan is a Black man who was killed via chokehold by a white man, so let’s bring out the term “lynching,” because it’ll always elicit racial animosity. If the racial angle doesn’t work for you, you can always use Jordan’s death to show the world how much of a do-gooder you are by exclaiming how the “unhoused” have a right to scream as much they want in an enclosed space. You get to wag your finger at the three men who refused to participate in the New York City tradition of keeping your head down, pretending these people don’t exist, and praying that you don’t become their target. And you get to accuse those who don’t decry those men loudly enough of condoning murder.

Let’s be real: These people don’t care about the homeless. The upper-class city dwellers of New York treat homeless people like bears in the wild: Don’t make eye contact with them and they won’t bother you. When this strategy doesn’t work, they gaslight you into accepting rampant squalor as not only normal but progress! And when you vocalize your guttural displeasure with watching people live in filth and desperation, the self-appointed homeless-whisperers will manipulate you into believing this is just what city life is supposed to look like.

An award history of Michael Cimino

I fell down an interesting rabbit hole that took me to the career of Michael Cimino. Although I’ve never watched any of his films, I was familiar with his infamy after Heaven’s Gate. What I didn’t know about was the wild roller coaster ride that was his award legacy:

YearAwardCategoryTitleResult
1979Academy AwardBest PictureThe Deer HunterWon
Best DirectorWon
1981Cannes Film FestivalPalme d’OrHeaven’s GateNominated
1982Golden Raspberry AwardWorst DirectorWon
1986César AwardsBest Foreign FilmYear of the DragonNominated
1986Golden Raspberry AwardWorst DirectorNominated
Worst ScreenplayNominated
1996Cannes Film FestivalPalme d’OrThe SunchaserNominated
(via Wikipedia)

That’s one heck of a run. To go from two Oscars to a Palme d’Or, followed by a Razzie in the space of 3 years? And then both a Best Foreign Film nomination and two more Razzie nominations in the same year for the same film? It’s oddly admirable.

In contrast, check out the legendary career of John Cazale.

The Stopgap: a blog after my own heart

I found out about The Stopgap on Nieman Lab yesterday and it’s my kinda blog:

The Stopgap’s motto: “It’s better than nothing.”

This will be an old fashioned, general interest blog, mostly written by us. We’ll make no money, produce no podcasty newslettery bullshit, and pay nothing—although readers can donate direct to guest authors thru financial socials.

via Twitter

I like that it’s general interest, devoid of intrusive ads, AI-generated content, and all the negative crap you get from publications hyperfocused on SEO. Again, my kinda blog considering all my blogs follow this ethos. What’s not to love? I love it so much, I’ve added it to my blogroll.

Go check them out.

Bart vs. Homer in 'Super Slugfest'

Videogames on TV - (1990) - Simpsons S01E06 - Boxing Game

I’ve covered video games in The Simpsons before on the blog but this one caught my attention as I couldn’t remember it in its episode (S01E06). The game is called Super Slugfest, a standard boxing game in 16-bit but with 8-bit music and 3D-ish motion? Bart keeps beating Homer, Homer hates losing, and then goes to the arcade to see how he can get better. I love that the game was not only on consoles but also arcades—nice touch.

I also like how they used joysticks instead of D-pad controllers which were more common around the time (1989). This seemed less about attention to detail and more about the psychosocial aspect of a father losing to his son at something. And then Marge does the unthinkable (which you can see at the end of the video).

New Hard Drive blog about newly discovered Ancient Greek scrolls complaining of myth fatigue: One scroll offered a contrasting view from an ancient poet named Phemius. ‘These people you hear complaining are really just a vocal minority,’ said Phemius. ‘Like all bards, I rely on the muses to guide my tongue, and they know what’s hot. […]’