For Hyperallergic, Lowery Stokes Sims reviewed Sonya Clark’s exhibition “Sonya Clark: Tatter, Bristle and Mend“ which featured at the National Museum of Women in Arts between 3rd March to 27th June this year.
Renowned for her explorations of the cultural and political aspects of hair — specifically Black hair — Clark does not disappoint in this dizzying survey of 100 works executed over the last 25 years. Essays in the catalogue adroitly outline the polemics of black hair in its natural state in our current societal context, complement Clark’s seeming endless hirsute permutations.
The pieces are remarkable in their depictions of the US and their uses of Black hair, something heavily weaponised and abused in that same country. My favourite is “Afro Abe II” (above), a five-dollar bill but Abraham Lincoln has an Afro. I love it so much.