German Expressionism ended in 1933 when the Nazis came to power. They weren’t interested in asking uncomfortable questions and viewed such dark tales of cinematic angst as unpatriotic. Instead, they preferred bright, cheerful tales of Aryan youths climbing mountains. By that time, the movement’s most talented directors — Fritz Lang and F.W. Murnau — had fled to America. And it was in America where German Expressionism found its biggest impact. Its stark lighting, grotesque shadows and bleak worldview would go on on to profoundly influence film noir in the late 1940s after another horrific, disillusioning war.