Lights! Camera! Action! Get the popcorn ready ‘cos the film is about to start.
Film, movies, motion pictures, cinema—whatever word you use, the context leads back to a form of visual art that conveys consciousness, stories, and emotions using moving images.
This is a list capped at 100 films threading a counter history to cinema. This is not a “ra-ra girl power” collection, or even a list of women’s influences on a cinematic canon, but a collection of cinema that is unique in its willingness to show and to radicalize the female experience. Early films on here that may be less overt in their feminist messaging are included either because they show women’s place in revolutionary causes, are a first to depict an experience, or have been key in the discussion surrounding this alternate text.
All films are briefly annotated explaining why they’re here. Discussion is welcome, but please understand that this is made with an awareness of an intrinsically misogynist studio system, a desire for avant-garde and worldwide productions. Therefore, this will not be including the newest wide-release intended to pander to “women’s issues”.
Filmmaker Matt Payne shot footage of Tom Karangelov skating on 16mm film and it looks really cool. Then again, everything looks good on 16mm. Matt also did an interview with Jenkem about the film and his techniques
How much did u guys spend on 16mm film to make this? Not that much! Tom lands everything first try!
Just kidding, it was expensive and when we rolled on a trick we really had to make it count.
But we made this project on the side over a couple of years and got some deals with Kodak / Pro8mm so it didn’t hurt my wallet all at once. And I may or may not have used it as a tax write-off and sold some b-roll.
How do we know you didn’t just film this all on iPhone and use a 16mm filter or app? I might have. The apps are that good. What if I told you this was all a marketing rouse to unveil the newest Kodak filter for iPhone 12 Pro Max? [laughs]
How much money would it cost to make a ~10 minute skate video on film? I would say probably $2500 – $3000 on the cheap side. Maybe upwards of $5000 if you do it proper with good transfers and real cinema cameras.
Ever since I watched There Will Be Blood a few weeks ago, I can’t hear the words “milkshake” or “you can sit down now” without thinking of the final scene from the movie. But where did that line about milkshake come from? If you’ve not seen the movie or the scene, here’s the line:
“If you have a milkshake and I have a milkshake—there it is. [He holds up his index finger]. That’s the straw, you see. [He turns and walks away from Eli] And my straw reaches acrooooooossssss [walking back toward Eli] the room … I … drink … your … milkshake. [He makes a sucking noise] I drink it up!”
It turns out the line wasn’t made up; it came from a transcript that Paul Thomas Anderson found from the 1924 Teapot Dome scandal congressional hearings.
Sen. Albert Fall described oil drainage thus: “Sir, if you have a milkshake and I have a milkshake and my straw reaches across the room, I’ll end up drinking your milkshake.” He was convicted of taking bribes for oil rights on public lands.
Green is the colour of Kermit the Frog, Mike Wazowski, and two-thirds of Nigeria’s national flag. It’s associated with nature, fertility, tranquillity, money, good luck, health, movement, and ecology. It can also signify illness and envy. Grass is green, the Chicago River is green once a year for St. Patrick’s Day, many political parties are green. Great gardeners have green fingers, inexperienced ones might be greenhorns, and jealous ones might be green-eyed monsters.
Green is my second favourite colour behind red (sorry, blue, you’re in 3rd place now!) thanks to Sporting CP. Green is also a traditional colour in Islam, associated with paradise in the Quran.
A passage from the Quran describes paradise as a place where people “will wear green garments of fine silk.” One hadith, or teaching, says, “When Allah’s Apostle died, he was covered with a Hibra Burd,” which is a green square garment. As a result, you’ll see green used to color the binding of Qurans, the domes of mosques, and, yes, campaign materials.
J. Milton Hayes’s “Yellow God” had a green eye (likely an emerald), Andrew Marvell’s “The Garden” said “No white nor red was ever seen / So am’rous as this lovely green.”, and D. H. Lawrence said the dawn was “apple-green”. Aliens are often green, little, and men for some reason.
The green room is where performers wait before they go on stage, there are at least 250 films in Letterboxd with “green” in the title including Green Book, Green Lantern, The Green Hornet, The Green Mile, and 17 films simply called Green.
Green and gold go together perfectly in a room and green Victorian tiles adorn many London Underground corridors (but not Green Park’s for some reason).
Judy Horacek and Mem Fox asked “Where Is The Green Sheep?“, Dr. Seuss wrote about Green Eggs and Ham, and Hemingway talked about the Green Hills of Africa (specifically East Africa). Kermit sang it ain’t easy being green, Tom Jones sang about the green green grass of home and Beyoncé gave us the green light (as did John Legend).
Featuring the likes of Nicolas Cage in Adaptation, James Caan in Misery, Jack Nicholson in The Shining, and Gemma Arterton in Their Finest (one of, if not the only, woman in the supercut).
And related to typewriters in movies but unrelated to this supercut, there’s this 2017 blog post about typewriters in the movies, referencing some of the cuts in the video.
Bespoke search engines are everywhere and as a search engine optimiser (that’s my day job), I love this kind of stuff. Flim follows in the footsteps of Frinkiac and Filmgrab but with a key difference: AI.
FLIM is the answer to the statement: images are everywhere, movies, TV, music-clips, internet. Images are needed at every creative process level. From Fashion to design, via cinema and music video. To meet that need, Dan PEREZ (C.E.O. of Flim) started in 2011 a website « ffffilm.com ». This site collect screenshots from movies. The FLIM’s ancestor had 50 000 monthly users and more than 30 000 screenshots library. This experience is absolutely clear: there is an empty space for iconographic searching.
Flim’s database has over 300,000 screenshots from movies, TV shows, music videos, and loads more. Each one is categorised by media type, director, director of photography, style, and release date but here’s where the AI comes in: it can detect things like clothing, characters, identified colours, and objects. So if you searched for “table”, you’d get screenshots like this:
A search results page for the term “table” on Flim
That’s a lot of tables. I also tried a manual colour search (magenta, although you can search by colour using Flim’s dedicated swatch search feature) and it worked really well.
Memes like this are why I love the internet so much. Jokes aside, I can see Disney and Pixar rinsing out the Toy Story franchise until the 2040s. It’d tie in with Buzz Lightyear and whatever advanced technology we’ll have by then.
Alas, I have only seen 4 of them and heard of 6 which means I have a lot of catching up to do. I like that the list has films from all but one decade since the 70s (nothing from the 80s). I’m sure you can guess what the #1 was and I’m in full agreement.
Film Spaced explored the infamous “Lost Cut” of Star Wars: A New Hope. I say infamous because, as Jason Weisberger said, it was a “steaming piece of trash that bored people”. Then Marcia Lou Lucas (née Griffin), acclaimed film editor and George’s wife, worked her magic and won herself the Academy Award for Best Film Editing in 1977 for her efforts.
The breakdown examines clips and interesting facts about the early cuts including rare footage, audio and behind-the-scenes info.
I saw an old advert for The Man in the Iron Mask and noticed it came out in 1998 which I never realised despite watching it last year. During a Google search to confirm that fact, the auto-suggestion brought up terms such as The Man in the High Castle and it got me thinking: how many movies start with the phrase ‘The Man in the’?
There are at least 3 films with men in different coloured suits (white, brown, and grey), one in an orange jacket and one in a raincoat. Then there’s one in a black cape and one in a hat.
Acclaimed composer Danny Elfman was a guest on the Premier Guitar podcast where he opened up about the Batman (1989) score and his displeasure at how it turned out.
“I was terribly unhappy with the dub in Batman,” Elfman said. “They did it in the old-school way where you do the score and turn it into the ‘professionals’ who turn the nobs and dub it in. And dubbing had gotten really wonky in those years. We recorded [multi-channel recording on] three channels — right, center, left, — and basically, they took the center channel out of the music completely.”
Nothing worse than people fiddling with your work when you had it just so. Now I’d love to hear Elfman’s original.
In the meantime, check out this suite of the Batman soundtrack, conducted by Shirley Walker and performed by the Sinfonia Of London.
I watched Concrete Cowboy a few weeks ago and while I liked it and found it interesting, I felt like it was missing something. It’s by no means the first movie about Black cowboys (see: The Black Cowboy, Harlem Rides the Range, and Black Rodeo) it’s the most high-profile, mixing Hollywood actors with IRL cowboys.
But next week, there’ll be a new film putting its hat into the ring so to speak and it’s called Room Rodeo.
The film is about Jamil, a Chicago boy trying to prove he is a descendant of Bill Pickett, a Black cowboy, rodeo, actor, and ProRodeo Hall of Famer. It stars D’Andre Davis as Jamil, and mixes drama with documentary interviews and footage of Black cowboys and historians.
His dad stands him up. He acts out. Now Jamil is on punishment in his room. He’s also finally reached the fifth grade and has a history project due.
If only his dad would tell him about his great grandpa, rodeo star Billie P – like he promised. But just when Jamil’s dad calls and things begin to look up, the cool kid from class calls with a humiliating declaration: Black cowboys aren’t real. Now, Jamil must drum up the courage to embark on a quest to discover the truth on his own – all from the comfort of his room. With some help from a dubious heirloom, Jamil puts aside whispers of doubt to venture into a fantasy dreamscape where he claims authorship of his own story.
JENKEM - Discussing Skateboarding with Filmmaker Werner Herzog
Jenkem did something unthinkable and unexpected: they tracked down Werner Herzog and discussed skateboarding with him.
He’s a guy who brings a true sense of uniqueness to an industry increasingly overrun with superheroes. But what does he have to do with skateboarding?
Technically speaking, nothing. Werner has no background in skating. But I believe he is one of us.
He preaches maxims like getting the shot by any means necessary, carrying bolt cutters everywhere, and thwarting institutional cowardice with guerrilla tactics. His entire career has been built on a DIY approach to life, his craft banged into existence through decades of trial and failure.
The result is surreal and short but wonderful. The filmmaker declared his puzzlement at being approached for the interview but found a commonality in what skateboarders do and what he does. One thing he pointed out was his seeming dislike for David Blaine which I was unaware of. In comparison, he said “skate kids” weren’t out for the publicity but did it for the joy of skating.
I think we should have more interviews like this for different disciplines. What does Ja Rule think about the imminent post-pandemic recession? What are Mads Mikkelsen’s views on comic books? How does Whoopi Goldberg feel about skateboarding? Now that I’d like to hear.
VIN DIESEL (DOMINIC TORETTO): Before I got the script, Rob described to me the scene of the camera going through my eyes and into the car and then the engine, merging man and machine. That image made me go, “That’s insane — I’m all in.” And then I read the script and was like, “Eh, I don’t know.”
